The Immortal

The Good
It has a dungeon-crawler basis i.e you work your way down similar looking dungeon levels, but the game is also a story and I like the way it progresses e.g the story has you fighting goblins at first and then forming an alliance with them and some of your other friends turn foes. I like that when you rest on the beds of hay to recover strength, near the end of each level, your dreams advance the story and you learn new things. Then of course there's Rob Hubbard's excellent music(the first three ports had different music, by Douglas Fulton, the NES, DOS and Mega Drive versions had Rob's).

The Bad
I first played this game in the '90s, rented the Mega Drive cartridge and enjoyed it very much, but I don't know how I had the patience to get past some of the obstacles in the game. When I recently bought the DOS version from GOG I found the "Hall of Webs" just too damn hard and did not wish to repeat it any more. I found a password for the next stage and from there managed to complete the game again. It does seem like the kind of game where you HAVE to die a number of times to discover the way through rather than use skill and forethought.

The Bottom Line
It's worth playing for the story and music, but I'd warn that you'll find yourself re-doing levels a lot and need much patience.

The Good
The graphics are somewhat nice. Other than that, there isn't much to like.

The Bad
A lot of things, the controls are horrible, the music is annoying and a pain in the ass to listen to.

The game is confusing and after a while you don't know what your doing.

The Bottom Line
The Immortal is an isometric action-adventure game where you are trying to save the king. He is trapped in this god awful dungeon, where you have to go rescue his ass.

I do have a video review, and you can check it out right here: Game Review #30: The Immortal (NES Version)

The Good
The death animations. The death animations. The death animations. Hardly any other game has spent so much love and detail into depicturing the demise of the hero (only Mike Woodroffe's games, like Elvira, come to my mind). You often catch yourself deliberately dropping the worm bait to see the monster shoot through the floor, tossing the hero through the air before swallowing him and disappearing, leaving only some blood behind.

But even without those, the game is very slick: The story holds some interest, and only during the final showdown with your mentor, Mordamir, do you finally understand what the heck was going on all the time (and why reading the runes ended the game instantly without any sort of explanation!).

The Bad
The sound - on any version other than the Apple IIgs - is a let-down. And of course, the game can be frustrating - you can only save after completing a level. So if you die (and you WILL die often, trust me on that one), you'll end up having to do the same procedure again and again and again.

The game is also very linear - once you've solved it, there is not much incentive playing it again (other than to re-enact all those death animations). If you do play it again, you'll notice how staged things are. The characters are just waiting for a certain point to speak their lines and hardly ever react to outside interference.

There are some interesting points where you can actually branch off the beaten path, but these are way too few.

The Bottom Line
It's not a game for everybody, but I loved it. In fact, it's been my favorite game for quite some time. The game is just oozing with atmosphere (especially on the IIgs version with its great soundtrack). It's good to see that Will Harvey did not try to bring humor into the game - this way, the integrity of the dark scenario remains untouched.

I remember playing Cadaver once - at some point, your hero is squashed by two big blocks. What you actually see are those two blocks quickly moving towards the player, and then - nothing. Just the stupid sound that indicates "Game Over". How I wished that Will Harvey would have been in charge there. It may sound like I'm picking on a detail when I keep mentioning the fabulous animations of The Immortal, but they're essential to the atmosphere. Immortal would feel less like a gripping story and just like a Pacman computer game without them.