Oddworld: Abe's Oddysee

The Good
- very detailed, believable World - interaction with AI characters in the game - ambient soundtrack

The Bad
- sometimes super frustrating - you have to try some passages over and over again

The Bottom Line
Okay, this game is pretty unique! Though it uses recipes that had been there for a while - what I mean is the “trial and error - jump'n'puzzle” game, but adding a unique world with fascinating creatures and new gameplay elements like communication. The puzzles take some time to solve - and the game requires you to have good timing skills to perform the actions. Abe's Oddysee can get frustrating as you need to try some running and jumping parts over and over again to get to the goal. But it is also quite fun to get the "aha!" idea how to solve puzzles. In overall a very good game and the prerendered 2D graphics look good even today. The ambient soundtrack is a plus to the atmosphere of Oddworld.

The Good
Graphics in the game are what you'd get out of a steampunk movie with the grisly details of a slaughterhouse. Although the detail is top-notch, only the correct settings can allow you to fully enjoy the cutscenes without frame skipping. What adds to the level art is that the background is just as busy as the layout of the level, making it a convincingly realistic place.

While there is no proper tutorial in the game, the hint messages you get at least help you practice the moves. It will come as a surprise to find hidden rooms where you're expected to have forehand knowledge of the gameplay to rescue the Mudokons and escape them alive. The more you progress, the more interesting challenges await you, ranging from disarming traps to stealth to mind-controlling Sligs. You essentially have all the means at your disposal to get through the levels, which is half the challenge, and rescuing at least 50 Mudokons for the good ending is the other half. And if you get tired of the main game, it's fun to play with Abe's speech.

The Bad
The controls are nowhere near as tight as they should be. If you're accustomed to cinematic platformers like Blackthorne, you'd expect to be able to pull off a move or action with the light tap of a button, but then you find Abe killed before you've made your running jump or climb. You can make better jumps on Prince of Persia. And the running is so sensitive, you'll find yourself thrust forward to the middle of the screen before you have the chance to stop. While it's okay for getting across rooms faster, it's not okay when trying to hurry from one dangerous room to the next. When throwing a grenade, pressing up makes you throw it forward and pressing the opposing direction makes you throw it upwards. That doesn't even make any sense. The throwing direction should correspond with the arrow keys. Furthermore, there's no arc indicator to tell you exactly where the grenade will land, you just have to experiment.

As if the game wasn't difficult enough, there are some annoyances that should have been stamped out, such as secret portals permanently vanishing if you skip them and platform edges that don't let you climb down, you just crouch instead. The lack of checkpoints in the more desired rooms adds to the frustration, so expect Abe and/or other Mudokons to die lots of times until you've rehearsed the precise steps and moves, sometimes ruined by the unpredictable behaviour of the Sligs.

The Bottom Line
You think you're a master at cinematic platformers? Well you don't know Oddworld. The difficulty is ramped up way more than Broderbund's, Delphine Software's or even Blizzard Software's platformers. For the most part, you're going to need a lot more luck than reflex to play this one perfectly. But learning patterns and steps is where the fun really gets to players. No matter how hard it gets, you know you want this title. With the amount of carnage and meat processing, you'd best hope it doesn't put you off your next hamburger.

The Good
I always like a game where you can make the PC fart (check out GTA)! This was one of my first PS games, and the intro really blew me away. After having gathered myself from the bits and pieces splattered on the walls, I was struck with awe by the in-game graphics and sound. Still recovering from the massive head trauma I started playing...

The Bad
...and also wondering how people capable of making a game this beautiful, both aurally and visually, can't write a bloody manual!? It took me several weeks of playing to find out that you could take over the bad guys' bodies by chanting for a while. Now this is something those of you who read the tips columns in magazines or on websites would find out on day one, and normal console game players would probably get to the point where the game tells you this in about two hours, but for someone accustomed to the easy-going playability of Duke Nukem (the real DN, not the crappy ones), this game is dead hard. And it doesn't get any easier once you get the hang of the controls (all those different buttons for burping, chanting, jumping, etc), since a lot of screens require split-second timing, and even when you get it right the level designers have decided you deserve a kick in the teeth: I played this with a friend (both in our twenties), and we nearly shitted our pants when a shrieking squid-headed alien jumped from the roof in a dark part of a level we THOUGHT we'd cleared.

Otherwise, all the usual console game gripes apply.

The Bottom Line
For a "cute" platform game this certainly has an atmosphere awfully close to the original Doom. Whether this is a good thing or a pain in the ass is up to the player, but I found this game to be well worth the time and effort (and laundry detergent, if you're very sensitive) put into it. The variety of gameplay and the fact that the designers have really put a lot of thought into the story and setting of the game combined with the solid presentation make this an instantly appealing game - especially if you don't mind popping a few bloodvessels in your head just once in a while.