Super Mario Sunshine

The Good
What did I like about Super Mario Sunshine? Pretty much everything. Graphics: LOVED them! Music: Catchy music. Not bad at all. Gameplay: Awesome Gameplay! Plot/Storyline: It's cool. I loved nearly everything about Super Mario Sunshine.

The Bad
What I DIDN'T like about this game. That's a tough question. I think the only thing I hated about Super Mario Sunshine are some of the voices. Peach's voice REALLY annoyed me.

The Bottom Line
This is probably the best Mario game ever made (next to Super Mario Bros. 3)! You MUST buy this game if you love Mario! I give this game a 10 out of 10!

The Good
Nostalgia was sparked for me while I was cleaning an old Gamecube controller of mine. An incident involving a mix of laughter and hot chocolate being ejected from my adolescent self’s nose left it sticky and unusable for about a decade. While I was meticulously cleaning the gamepad inside and out, I found myself wandering the dusty depths of my memory, plucking choice images of some of my favourite games. Though thoughts of Rogue Squadron 2 and F-Zero GX were at first competing for my attention, I came to the realization that I never actually completed Super Mario Sunshine. It hadn’t clicked for me in my youth, and while I made it very near the end – the final boss’s front doorstep, no less – I lacked the motivation to actually cap the game off with a victory.

So I picked it off my shelf and started up a new file and was soon to discover that I couldn’t really remember much about the game. Some of the images lined up with my memory, but the game’s progression through the various worlds, and even many of the mechanics, had all been filed away in the trash bin of my mind. Rarely have I ever been given a chance to actually re-experience a game from my youth, so I certainly wasn’t about to pass up the chance.

The game’s framework is set up in a series of cutscenes that provide a stark reminder of why voice acting should be kept to an extreme minimum in Mario games. Mario has been framed for spreading graffiti around the resort hotspot of Isle Delfino and is forced to clean up the mess left by his dark doppelganger using F.L.U.D.D., a device that spews both water and tutorials in a number of inventive ways. The one I got the most usage from was the hover nozzle, but it’s also fun ripping around with the booster, and the rocket is great for getting to high places.

Aside from the added water pack, gameplay is extremely similar to Mario 64. You’re placed in a hub world and must travel to various lands to collect Shine Sprites and return sunlight to the tropical paradise. Most of Mario’s moves from its N64 predecessor have returned with some new ones added and some others removed to accommodate F.L.U.D.D.’s repertoire.

The biggest difference between the two games isn’t actually Mario’s new backwear; it’s the cohesiveness. Mario 64 was very abstract, so all the tasks were largely unrelated, but Sunshine is much more grounded and most of the challenge revolves around cleaning up the mess left by Shadow Mario. It vastly changes the feel of the game. Most of the challenges faced are explained by NPC’s, and most shines and blue coins are obtained by helping them. Levels are based around places that feel more natural, such as a theme park or hotel, and since the platforming had to be adjusted with this in mind, it feels less mechanically straightforward. This unfortunately winds up hurting the game in a number of ways.

Still, the cohesive world does have its advantages. The scenery is often very striking, with the spooky hotel bathed in the red of the setting sun, and a tribal village surrounded by trees and mushrooms that glow in the night like a black velvet painting under ultraviolet light. It also allows there to be a bit more story development, but that’s largely squandered (probably for the best). Levels feel smaller, but there’s a lot more incentive to explore the nooks and crannies. Delfino’s inhabitants have a lot to say, and while it’s rarely interesting, it does make the world feel like somewhere people actually live, rather than a cluster of isolated lands. This is highlighted by the ability to view other destinations on the island by looking off in the distance, making the island feel like a singular world.

The Bad
Mario Sunshine seems like the odd one out when you look at the core Mario series, and it’s for more reasons than just its bizarre inclusion of fully voiced cutscenes. The series has always involved adventure in far off and wondrous places that are incredibly abstract in their design, but Isle Delfino is a pretty grounded resort town filled with inhabitants who have petty problems for you to solve, and this is the root of the game’s major problem. It’s an interesting and unique departure for the Mario series to have it so grounded, but it’s also rather mundane, and this permeates a lot of the design.

The most problematic deficiency is in the challenges presented. While there’s a lot of carryover from Mario 64, such as dealing with boss problems or collecting a set number of red coins, there’s also a great deal of what feels a lot like janitorial work. The worlds simply aren’t built like Mario 64’s, and so there’s less that actually challenges control proficiency and more that challenge patience. For example, in each world there is a shine you obtain by chasing down Shadow Mario and spraying him with enough water. However, there is no limit on how long you have to finish him off, nor does he recover any health by avoiding your jet. This means it’s only a matter of time and patience before enough shots are finally landed on him and he goes down. There’s no challenge to it, it’s not thoughtfully designed or even fun, and you have to do it once in every single world.

It’s also a bit of a cop-out that 24 of the shines need to be bought for ten blue coins each. There’s 240 in total hidden throughout each of the worlds (about 30 in each), but there’s no way to view how many remain in each world. This reduces a portion of the game to nothing more than a grand scavenger hunt, and considering there’s already the red coin challenges carried over from Mario 64, it’s entirely lazy and unnecessary. This is part of the reason why I decided not to pursue collecting all 120 sprites. The coins are entirely optional, luckily, since the only requirement for completing the game is beating Shadow Mario in each of the worlds.

Even the challenges that strictly have you reaching a certain area are complicated by thoughtless design. I often found myself the victim of tasks that required several long and tricky steps that had to be repeated when I failed. One such section required obtaining food for a Yoshi from a machine and using it to freeze enemies and climb a series of platforms. Each time I fell into the water I had to start the whole lengthy and tedious sequence over again. Every once and a while, the game gives no mercy. It can aggravate.

Lastly, where the hell is Luigi? So, what, he gets to star in Luigi’s Mansion, but he doesn’t even make an appearance in Mario Sunshine? Snubbed, just like in Mario 64. Unforgivable.

The Bottom Line
During the time I was initially enamoured with Super Mario Sunshine and delighted to have the chance to re-experience it from what felt like scratch, I pledged myself to collect every Shine Sprite in the game. Eventually, reality set it and I realized I just wasn’t enjoying it enough to go that far, and considering I went the completionist route for the Mario Galaxy games and more than once for Mario 64, that’s all I feel I really need to say. Super Mario Sunshine is certainly a GOOD game, one that I was glued to for a few straight evenings; it’s just a pretty weak entry in the core Mario series. It’s a fairly unique entry, but at the same time it’s less polished and more mundane. Don’t get me wrong, I totally recommend it, but if you skip it and go straight for the Super Mario Galaxy games, I can definitely understand.

The Good
1) Above all, the music is the best thing in the game. Koji Kondo has decades of experience doing his thing, and despite the continued use of MIDI sounds, SMS is some of the tightest platform music ever. It manages to convey a "feel" for the spirit of the game, reflect the tropical surroundings, and move the action/mood of the game forward all at the same time. It's really amazing what the music does for the game, and it should serve as an example for other platformers as to how easily a game is enhanced with quality stage ditties.

2) Nintendo manages to convincingly incorporate the new scenery and characters into the Mario world. I'm typically pretty picky about arbitrary additions to Mario/DK (Rare's Kongs, I'm looking at ALL of you), but I think the Piantas, Petey Piranha, etc are okay additions. Like I said, I'm not crazy about them, but I think they're not as offensive as other attempts to expand the Empire.

3) For all the grief it takes, the water pack is still a fun little gadget for platform gaming. C'mon, you know you enjoy blasting bee hives and anthropomorphic venus fly traps. It's fun!

4) Good level design in that the same level is used repeatedly for different objectives but fails to become stale thanks to the water pack tricks "opening" new areas of each level to explore.

5) Though not as impressive as the music, which I feel is up there with the best of any platformer I've played, the visuals are lush and stunning. The coronas produced by aiming your camera into the sun are a nice touch. Good looking game in many respects.

6) Play control is fairly tight. I would say "absolutely tight" if it weren't for the blasted camera in a few choice areas, which I'll mention in the "Bad."

The Bad
1) Though I love the Mario world, STOP MAKING MARIO GAMES INTO COLLECT-FESTS!!! I can't say that emphatically enough. I loved the use of coins, flowers, and stars to give Yoshi's Island some extra replay, but the "Shine Get!" collect-fest is too much, Nintendo. I'm praying it's not a sign of things to come in the Mario Universe (though I know better).

2) The camera, while good in many places, is so bad in a few places as to negate all the good. I'm sure that a lot of work goes into making things work in this game, and I've given Nintendo more than enough credit in the "Good" section for some of those things. But to have bad camera control after the design experience of Mario 64 (which had a better camera, IMHO) is inexcusable.

3) Not really many fun "secrets" in this place, like SMB's so-called negative world, SMB3's warp whistles, or SMW's Star Road. Would have been a nice touch.

4A) I found most of the boss fights boring. I'm being picky on this one, but I thought I'd throw it out there. They just didn't excite me, maybe because the non-conventional structure of the game didn't make things feel to me like things were "building-up" to a boss fight.

4B) This ties in with 4A: I felt the incorporation of the "bad guys" and boss fights wasn't well considered. The jump to the fight with Bowser Sr. seemed sudden to me--I understand the big "build-up" to the final fight is easier when the worlds and levels/stages are numbered, and you know how far you've got until the big battle, but Nintendo should have thought of a non-traditional way to incorporate the final fight to match the non-traditional themes (for a Mario game/platformer, at least) in the remainder of the game.

5) Finally, I'm about the only person I know who thinks that the "old school" SMB-in-3D bonus stages were entirely unnecessary. I think they're a concession to Mario fans thrown in by the game's designers because they were worried this vacation would be too "different" for Mario fans. I dislike those bonus stages because they deviate from the theme of the game. Instead of bonus stages, I would've appreciated it if the designers put more thought into how to fit the bosses and boss fights into the game more cleverly.

The Bottom Line
The title of this review says it all. This game is clearly a "vacation" from the Mario series--everything in the design is screaming it: for example, the mushrooms, fire flowers, and goombas take a backseat to palm trees, evil goop, and durian kicking.

People who expected this game to be the fabled "Mario 128" or a true successor to Mario 64 aren't being fair to the game or the game's creators. Again, it's pretty clear from everything in the game (from the opening FMV of Mario's flight to the use of tricks and devices unfamiliar to the rest of the Mario world) that this game was designed to be not just a vacation for Mario but for his fans as well.

As a goofy aside (but one I'll try to relate to the overall message), I have a condition in which I often experience music as flavors, and whenever I play SMS or even just hear its music, I have the sensation of tasting fresh, slightly unripe mangoes on the roof of my mouth. And to me, that image is the intent with this game: it's not meant to be a heavy flavor, like ice cream or a thick sauce, but instead light, bright, and flavorful, like a sweet, slightly tart young mango or a citrusy sorbet.

If you dislike SMS, you should dislike it for being "light, bright, and flavorful." But don't dislike it for reasons its creators can't control. I like the game because I take it for what it is: a fun game that's very easy to pick up and play for a half of an hour or so. In the space of time you play it, you'll typically find yourself humming along to music and enjoying the sun-drenched visuals and relaxed characters and surroundings. A great addition to any GC library.